Guille Drums · Guillermo Temiño

Play with intention. Sound with control.

Modern drummer, teacher and creator of The Architecture of Groove. From playing live with my bands to the studio, I help drummers play with more control, musicality and freedom — in any style.

Always training · I study artists like
About me

Drums in my life, for as long as I can remember.

I'm Guillermo Temiño, drummer, teacher and creator of the project The Architecture of Groove. I've been playing the drums since I was 3 years old: what began as a childhood passion has become a constant discipline of study, evolution and the search for a musical identity.

Today I combine my development as a musician with two active bands, playing in real contexts and adapting to very different styles on stage. I specialize in modern styles —fusion, funk, R&B, gospel, jazz and rock— and I'm interested in groove, time control, dynamics, independence and musicality. For me, drumming isn't just technique or speed: it's making every hit have intention and meaning.

I've spent more than three years giving private lessons, helping others improve their technique, their coordination and their understanding of the instrument. Teaching made me realize something important: practicing many hours isn't enough to improve efficiently.

From that reflection, The Architecture of Groove was born: leaving disorganized practice behind and moving forward with intention, knowing at all times what you're working on and why.

More than a method, it's a way of understanding the drums: a system for building solid foundations and playing with control, musicality and freedom in any style. Everything I do revolves around the same idea: learn better, play more consciously and build a deeper relationship with the instrument.

Beyond music, I'm driven by entrepreneurship, content creation, artificial intelligence, marketing and personal branding: tools to amplify my project, without ever losing the main focus. Because excellence doesn't depend on age, but on consistency, curiosity and the way you decide to learn each day.

Guillermo Temiño — Guille Drums
Every hit must have intention and meaning within the music.
— Guillermo Temiño
Active bands
Bendita MaldiciónSpanish indie and rock
TikismikisClassic 70s and 80s pop and rock
My style
FusionFunkR&BGospelJazzRock
Training
  • Masterclass with Miguel Lamas
  • Masterclass with Chus Gancedo
  • Currently, with Antolín Olea
I study artists like
Larnell LewisDave WecklVinnie ColaiutaSteve GaddEric Moore
3
Years old · when I started
2
Active bands
+3
Years teaching
21
Exercises in the system
The Architecture of Groove · Technique

Progress in months what others don't achieve in years.

It's not talent. It's not more hours. It's having a system — or not having one. Speed, control and precision, step by step.

Guille Drums practicing drumming technique
The problem

You practice a lot.
But are you really progressing?

If you see yourself in this, it's not your fault. It's what happens when you practice without a structure behind it:

01

No clear plan

You play whatever you feel like that day, with no order connecting what you practice.

02

Loose exercises

You pile up things you see online, but none builds on the previous one.

03

Stagnation

You've gone months (or years) without noticing real technical improvement, despite the effort.

04

Repeated mistakes

You repeat the same mistakes over and over — without realizing they're there.

The problem was never your effort. It was practicing without an architecture to order it.

You can spend your life adding up hours. Without a system, you don't add up progress: you add up repetitions.

The solution

The Architecture of Groove

A structured system for real improvement. A clear, logical progression where each step prepares the next. It rests on five pillars:

01TempoStability and command of the metronome
02SoundA clean, centered and dynamic stroke
03IndependenceReal coordination between limbs
04MusicalityIntention within the groove
05TechniqueThis system

This system focuses on the pillar of Technique: speed, control and precision.

The method · Technique

Speed isn't chased. It's built.

First it sounds clean and stable. Then the movement becomes efficient. After that the body relaxes. And then speed appears on its own, as a consequence.

  • Speed without tension.
  • Real tempo control, always with a metronome.
  • Eliminating bad habits before they stick.
  • Structured practice that really progresses.
1
Clean sound and stable tempoEvery stroke clear and even. The tempo neither speeds up nor slows down.
2
Efficient movementSmall motions, with no unnecessary travel.
3
RelaxationHands, feet and body free of tension.
4
SpeedIt appears on its own when the previous three are solid.
What's included · Method resources

7 blocks. 21 exercises.
One single order.

Don't skip blocks: each one prepares the skills for the next. That's the architecture.

013 exercises

Sound and Control

Stable groove, dynamic control, ghost notes and total command of the tempo.

023 exercises

Single Strokes

Real evenness between hands, endurance and stable speed under progressive effort.

033 exercises

Double Strokes

Control of the rebound and identical doubles. "It's not 2 strokes, it's 1 double stroke."

043 exercises

Paradiddles

Fluidity between hands and control of the full pattern as the speed goes up.

052 exercises

Displacements

Moving the pattern around the whole kit while keeping cleanliness and evenness.

063 exercises

Hand–Foot Coordination

Real independence and synchronization between all four limbs.

074 exercises

Bass Drum Technique

Control, speed and the ankle technique applied to real groove.

Each exercise includes: how to do it, what to watch for, what it improves, the common mistakes and when to increase the speed.
Format: the complete system in PDF. Yours forever.

Why it's different

It's not another pack of
loose exercises.

The usual approachOther courses

  • Disorganized content, with no clear thread.
  • Loose exercises that don't connect to each other.
  • You don't know what to prioritize or where to start.
  • You copy what you see, without understanding why.

The systemThe Architecture of Groove

  • A structure with an exact order of work.
  • A logical progression: each block prepares the next.
  • Clear priorities in each exercise.
  • Principles you understand and apply to the way you play.
Access

Start building
your technique.

Take the complete system, and if you want direct support, work with me in individual sessions.

Cover of the method The Architecture of Groove
The system · PDF

The Architecture of Groove

Speed and Control. The complete technical system, ready to practice.

14,50 €29 €/ 20,30 USD
50% off
  • 7 blocks · 21 progressive exercises
  • The exact order of work, no improvising
  • Common mistakes and when to increase the speed
  • The system in PDF
  • Lifetime access
Access the system now
Mentoring · Private lessons

Work with me, 1-to-1

Individual sessions to adjust the system to your level and your weak points.

49 €/ session
1-hour session
  • 1-hour sessions, online or in person
  • Individual analysis of your technique
  • A practice plan tailored to you
  • Real tracking of your progress
Book a session
🛡
5-day guarantee on the system

If the method doesn't add value for you, we'll refund your money. No questions asked.

Frequently asked questions

What you usually
ask yourself.

For all levels, from beginners to advanced. Technique, control and sound are things that can always be improved: the system meets you where you are and takes you to the next step.
Each exercise is between 6 and 10 minutes. A focused session of 20 to 40 minutes a day is more than enough. The key isn't the hours, it's consistency and respecting the order.
It depends on your consistency and your starting point. It's designed so you notice more control and cleanliness from the first weeks. Speed comes as a consequence of that work, not overnight.
Individual 1-hour sessions, online or in person, for 49 €. I analyze your technique, we detect your weak points and adjust the system to your level with a plan tailored to you. Write to me and we'll check availability.
No. You just need your drum kit (or a practice pad for the hand blocks), sticks and a metronome. The metronome is non-negotiable: it's part of the method.
Contact

Tell me about your project.

Classes, mentoring, collaborations or questions about the method. I read and reply to you myself, in person.

Write to me

I reply within 1–2 days

For something quick, better via Instagram.

What you can expect
  • I reply to you directly, not a bot.
  • No spam or weird lists: only what you ask me.
  • Honesty about whether the classes or the method fit you.
IG @guille_drums
The fastest way